Reviewed by James Roy MacBean
Monday December 06, 2021 - 12:00:00 PM
At San Francisco Opera, Canadian director Michael Cavanaugh has mounted Così fan tutte as the second of his planned trilogy of the Mozart-Da Ponte operas. Cavanaugh sets Le Nozze di Figaro, Così fan tutte, and Don Giovanni in three different time-frames of American history. Le Nozze di Figaro, which was performed here in Cavanaugh’s staging in 2019, he sets in the late 18th century, in other words, in a new nation under construction after the American Revolution. For Così fan tutte, Cavanaugh chooses the 1930s, that is, in a nation emerging from the Depression but with prospects of a war looming ominously just over the horizon. Cavanaugh also chooses to set each opera of his Mozart-Da Ponte trilogy as taking place in the same building. In Le Nozze di Figaro, it was a house newly built. In Così fan tutte, Cavanaugh arbitrarily has transformed this house into an opulent country club.
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