“Queering” David Park:
Is It Fair to see Homoerotic Subtexts in Park’s imagery?
“Park’s willingness to plumb personal memories and explore emotional issues is also suggested by the bold Standing Male Nude in the Shower of 1955. There canvas shocks with its size, palette, and aggressive composition. The male figure is life-sized, deep red against yellow and cerulean blue; he meets our gaze with an unfathomable expression made more obscure by the shadow cast over his features. There is no effort at eroticism here, no coy avoidance of the viewer’s gaze.” (emphasis added) p. 27
—Bay Area Figurative Art, Carolyn Jones, SFMOMA, 1990
“Park’s figures reflect another characteristic of the studio or life model tradition; they avoid any overt sense of the erotic. In his paintings and perhaps more significantly his private life drawings, he accepts the genitals directly, finally, without subterfuge and yet without special concern. He was interested in the total physical body and his response in the largest sense did not lack sexuality. However, he was not an artist anxious or eager to deal with erotic subjects. He responded deeply to the physical rhythms and structures other body, but without making an issue of eroticism.” p. 98
—The New Figurative Art of David Park, Paul Mills, 1988
“The appeal of a good model differs completely from physical or erotic appeal.”
—David Park: A Painter’s Life, Nancy Boas, 2012, p. 194
David Park died in 1960, age 49. By all accounts, he was happily married to Lydia Park (later Lydia Park Moore), who was appreciative and supportive of his art, and the father of two daughters, one of whom, Helen Park Bigelow, is the author of a book about her beloved father.
But why must these critics, curators, and biographers place Park on such a chaste, hetero-normative, binary pedestal, as if we were still living in Park’s most productive period—the 1950s?
I’ve always been amused and cheered by Park’s rendition of what could be interpreted as outdoor gay cruising scenes, nude boys at beaches, young men walking purposefully in the underbrush, and other same sex groupings. I wouldn’t describe any of his nudes, male or female, as prurient, but they’re not shy either. -more-